Anais Mitchell/ Birds of Chicago/ Jeffrey Foucalt
Sat · March 11, 2017
Doors: 6:30 pm / Show: 7:00 pmAcademy of Music Theatre
Reserved Seating// $30.00 & $22.50 (plus applicable fees)
GRAMMY Award nominated SARAH JAROSZ was described by The New York Times as "one of acoustic music's most promising young talents: a singer-songwriter and mandolin and banjo prodigy with the taste and poise to strike that rare balance of commercial and critical success."
TIM O'BRIEN'S presence – be it as a bandleader, songwriter, mentor, or instrumentalist – has been strongly felt not only in his own rich music, but in the many recordings of his songs by artists like the Dixie Chicks, Garth Brooks, Dierks Bentley, and Nickel Creek.
TONY TRISHKA & Michael Daves - Trishka is considered to be the consummate banjo artist and perhaps the most influential banjo player in the roots music world. For more than 45 years, his stylings have inspired a whole generation of bluegrass and acoustic musicians.
LULA WILES deeply rooted in traditional folk music, but equally deep is their devotion to modern song craft.https://aomtheatre.ticketfly.com/event/1395016/
"Mitchell is a skilled storyteller...and her delivery gives an emotional complexity that welcomes and even demands repeated listens." Pitchfork
"Currently a well-kept secret, Mitchell is writing material that stands comparison with the great singer-songwriters of the past few decades" Daily Telegraph
Anaïs Mitchell is a Vermont and Brooklyn-based singer-songwriter who comes from the world of narrative folksong, poetry and balladry. She recorded for Ani Difranco's Righteous Babe Records for several years before starting her own Wilderland label in 2012. Among her recorded works are six full-length albums, including 2010's sensationally-reviewed Hadestown, a folk opera based on the Orpheus myth; 2012's Young Man in America, which was described by the UK's Independent as 'an epic tale of American becoming'; and 2013's Child Ballads, a collaboration with Jefferson Hamer, which won a BBC Radio Two Folk Award for Best Traditional Track.
Mitchell has headlined shows worldwide as well as supporting tours for Bon Iver, Ani Difranco, The Low Anthem (all of whom appear as guest singers on Hadestown) Josh Ritter and Punch Brothers. Her stage production of Hadestown, which was ten years in the making, opened Off-Broadway in May 2016 to rave reviews. The New York Times called it "inventive, beguiling and spellbinding" while Vogue announced that "Hadestown will be your new theater obsession". The show was extended twice as a result of critical success and sell-out performances.
Birds of Chicago
Birds of Chicago will release their new digital E.P. American Flowers, November 17th on Signature Sounds. Proceeds from American Flowers will benefit Chicago's South Side based Teen Living Programs– a non-profit that builds community, hope and opportunity for youth who are homeless and at risk.
The title track will be pre-released on November 7th along with pre-orders. Look for their full-length album, Love in Wartime to be released in April, 2018.
American Flowers is the revelatory Signature Sounds debut from acclaimed husband and wife led band, Birds of Chicago. Known for their "near perfect Americana" (No Depression), JT Nero and Allison Russell had recently finished recording their sprawling rock and roll circus of an album Love in Wartime, to be released next year. Nero had a suite of songs that didn't feel quite at home on Love in Wartime. Having relocated to Nashville, they decided to throw themselves their own welcome to town party by recording an acoustic E.P. at Steve Dawson's Henhouse Studio. New friends like Kenneth Pattengale of The Milk Carton Kids, and Maya de Vitry of The Stray Birds got in on the fun, and the Birds emerged after a couple days with the raw, spontaneous, and warm American Flowers. The E.P. is Love in Wartime's cousin from the country, and it rounds out Birds of Chicago's offering of healing, communion, and celebration of life in a dark and troubled time.
"Contemporary and timeless."
– The New York Times
"As a performer, Jeffrey Foucault has that enviable mix of great, unexpected songs and a warm and rugged stage presence that makes you feel alive and in awe all at once...'Salt as Wolves' [is] his most satisfying record to date...it's the record of a craftsman at the height of his powers." – No Depression
"Pure songwriter... his songs are simple and powerful." – NPR
I first saw Foucault play in a little Missoula theatre years ago, when many of us who grew up spinning our elders' albums—Townes and Dylan, John Prine and Greg Brown—wandered around dolorously wondering when the next real songwriter would come along. Stetson sweaty, that little vagabond spark in his eye, he spun out a long Beam-fueled set and when it was over I walked out into the warm rain and thought, Damn. So that's where he's been. Since then Foucault has given American poetry some of its most vital lines and his musical searchings have become touchstones of density and durability. On this new record—his most poignant, honest, even scathing—his cry is a belt of pure blue Wisconsin lake ice with a back of December sunlight angling through bare limbed birches. Not so much penned as lived, these songs—about a show played perfectly to an empty bar, the real ones who die with nothing half the time— offer listeners that rare artistic combination of a voice and a world. And while there's nothing not lonely about these songs, you can't hear them and feel remotely alone. Here is our hurricane lamp, the heart whose flame won't go out, whatever the wind. Hold it close.
Academy of Music Theatre
274 Main Street
Northampton, MA, 01060